| Our facility is based around the SONY DMX R-100 Digital 5.1 Console. (Yes we still like to have a lot of faders instead of a mouse.) It is also called the Baby Oxford since it has the same EQ and Compressors as the Flag-ship Sony Console. Furthermore an Avid Euphonix S3Control Surface.
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| A superb Quested Monitoring System VH3208 & X15 Subs moves the air around your ears and unmasks every tiny little detail of the recording.
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| We record on the latest Pro Tools but we still value our trusted Mackie HDR24/96 recorders, that are essential for backup when doing on location and live recordings. Other DAW’s avail- able are WaveLab, Cubase and Logic.
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We love knobs and thus we have side racks full of gear. Tubes rule at Tritone, you can find outboard gear from Manley, Universal Audio, Groove Tubes.
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Reverbs include BriCasti M1, Kurzweil KSP8, TC Electronic and a bunch of convolution reverb plug-Ins.
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A/D Conversion and Digital Clocking is exclusively handled by Apogee.
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The Microphone Locker is filled with some of the best microphones available. Out of the 70 microphones we own we would especially like to mention:
- Neumann M149 and M147 Tube Microphones
- Shoeps CMC6/MK4 Matched pair
- AKG 414 EB vintage Mics
- Shure KSM313 Ribbon
- Blue Baby Bottles Matched pair
- Rode K2
- ADK Z67 ( phenomenal U67 sound with brand new components)
But also cheaper ones that sound amazing:
- Oktava MC012 Matched Pair
- Studio Projects C1
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Plus all the usual suspects. You can contact us for a full list.
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Plugins from Waves, McDSP, George Massenburg, Massey, Melodyne, ...
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Oh, and last but not least! Several pairs of highly trained and beautifully aged ears.
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